Tuesday, September 28, 2021

The Knight’s Tale (from The Canterbury Tales)

 About The Canterbury Tales:

The Canterbury Tales (Middle English: Tales of Caunterbury) is a collection of 24 stories that runs to over 17,000 lines written in Middle English by Geoffrey Chaucer between 1387 and 1400. In 1386, Chaucer became Controller of Customs and Justice of the Peace and, in 1389, Clerk of the King's Works. It was during these years that Chaucer began working on his most famous text, The Canterbury Tales. The tales (mostly written in verse, although some are in prose) are presented as part of a story-telling contest by a group of pilgrims as they travel together from London to Canterbury to visit the shrine of Saint Thomas Becket at Canterbury Cathedral. The prize for this contest is a free meal at the Tabard Inn at Southwark on their return.

 The Knight’s Tale:

The noble Duke Theseus of Athens is on his way home from his invasion of Scythia, where he has won a wife, Hippolyta, and a sister-in-law, Emily. Sounds like a pretty successful trip, right? Along the way, Theseus & Co. meet a group of crying women. They beg Theseus to take vengeance on Creon, King of Thebes, because of his refusal to allow them to give their husbands' bodies a proper burial. Theseus agrees and beats Creon. In the process, he wins two noble Theban hostages, cousins Palamon and Arcite.

Theseus throws Palamon and Arcite in the slammer (a tower next to his garden), without ransom. One day in early May, Emily walks in the garden, gathering flowers. Palamon sees her from the prison window and immediately starts crushing on her. He's so smitten that he cries out. Hearing his cry, Arcite runs to his cousin. But as soon as he lays eyes on Emily, he falls for her too. The knights argue about who gets dibs on Emily. Arcite finally decides that it's a dumb argument to have; since both knights will be in prison forever, they'll just have to love Emily from afar with no hope of consummation.

Or maybe not. Soon, Arcite gets out of jail because he and Theseus have a mutual friend, who petitioned to get Arcite released. The only catch is that Arcite has to leave Athens and never set foot in the city again. Arcite moans and groans and feels sorry for himself, convinced that Palamon is better off than him because he gets to see Emily every day. Palamon, on the other hand, thinks that Arcite is a lucky dog because he can assemble an army to win Emily in battle.

Arcite returns to Thebes for a while, but, unable to stay away from Emily, quickly returns to Athens disguised as a servant. He works his way into Theseus's household, becoming Emily's manservant.

Meanwhile, Palamon has managed to escape from prison. He takes shelter in a grove of trees not far from the palace, planning to continue his journey under cover of nightfall. And – surprise, surprise – Arcite happens to go walking in that same grove. Palamon doesn't recognize him at first because of his disguise. When Arcite begins to speak of his love for Emily (because, you know, emo lovers always talk to themselves about their crushes), though, Palamon figures out who he is and leaps from the bushes, outraged. He and Arcite bicker. Arcite challenges Palamon to a duel, promising to return the next day with armor and weapons for Palamon, to ensure a fair fight.

The next day comes, and the two knights begin their duel. Duke Theseus and his party, out hawking, happen to come across the two knights as they battle. Theseus orders them to stop. When he finds out who they are at what they're fighting about, he at first wants to put them to death. But when the ladies, especially Hippolyta and Emily, beg for mercy, Theseus reconsiders. The Duke admits that he, too, has done some pretty stupid things for love.

Theseus decides that each of the knights must return in one year's time with one hundred knights, in order to fight an epic joust. The winner will get Emily. The knights agree, and ride home to Athens to gather knights. Meanwhile, Theseus pours time and money into building a huge stadium for the joust. It's like he's prepping for the World Cup. The stadium is complete with temples dedicated to Venus (goddess of love), Mars (god of war), and Diana (goddess of the hunt).

After a year has passed, Palamon and Arcite return to Athens, where everybody is ready to watch the competition and party. On the morning of the joust, the two knights and Emily visit the different temples. Palamon prays to Venus to grant him Emily, while Arcite asks Mars for victory in the joust. Emily, on the other hand, asks Diana to grant her perpetual virginity. (Guess she doesn't want to marry either of these guys.) Only Emily's request is refused. The knights' requests cause a conflict between Mars and Venus in the Heavens, but Jupiter (the king of the Gods) figures out a way to please both of them.

The joust begins, and many captives are taken. The fighting is fierce on both sides. In the end, Palamon is captured, and Arcite wins. On his victory ride, an earthquake in the stadium causes Arcite's horse to trip, sending him headfirst to the ground. Despite cracking his head pretty hard, everyone is sure that Arcite will recover. That night the people of Athens celebrate the upcoming marriage of Emily and Arcite.

But Arcite doesn't recover. He dies with Emily and Palamon at his bedside, using his last breath to tell Emily what a great guy Palamon is. Theseus arranges a fancy funeral for Arcite, after which Palamon returns to Thebes in mourning. He doesn't stay in Thebes very long, though. Theseus's counselors want an alliance between Athens and Thebes, and think that a marriage between Palamon and Emily would be just the thing. Theseus gives a long speech about how death is a part of God's plan for the world. At the end, he recommends that Palamon and Emily marry. They agree, and the story ends with a big, happy wedding.

 

Themes:

Rules and Order:

"The Knight's Tale" shows what happens when the rules of two different systems – chivalry and courtly love – come into conflict with one another. Palamon and Arcite have sworn a knightly oath to be loyal to one another, but they both fall in love with the same girl. The problem is, the rule of chivalry, which demands knights keep their oaths, is tested by the rule of courtly love, which demands that a knight put his love for his lady before everything else. This inevitably leads to a big, fat fight between the two knights. The tale solves the problem in the character of Duke Theseus, who proposes an organized contest to solve the feud. The winner gets Emily. Theseus is the order-bringer and rule-protector from the very beginning of "The Knight's Tale," when he sets its plot in motion by punishing a king who has broken the societal rule that bodies must receive a proper burial. Yet his desire for an orderly universe is tested when Arcite, the knight who wins the joust and Emily, dies in a freak accident immediately following the battle. To disprove the seeming randomness of this event, Theseus lays out a vision of an orderly universe with all creation deriving its existence from God. In this universe, death is a part of God's plan for creation, a sign that all is as it should be, so rules and order still prevail.

Love:

From the second Palamon and Arcite lay eyes on the lovely Emily, they are pierced to the heart by a love so intense that it literally makes them ill. Yeah, they seem like drama queens, but their behavior is pretty typical of the courtly love genre. Palamon and Arcite, two noble knights, spend most of their time pining for the love of a beautiful but distant noblewoman. The knights express their love in terms of wounds and sickness. Emily, the noblewoman, becomes almost a goddess. Palamon and Arcite swear to do anything to win the love of Emily, even if it includes breaking their knights' oaths to protect one another. But then Duke Theseus comes onto the scene and calls into question this kind of intense love and devotion. Theseus questions why anyone would want to serve the god of love if the only reward for this service is suffering. In the end, though, Theseus admits that he's done some pretty stupid things for the sake of love too. In fact, being lovesick and silly is something all people experience. The depictions of suffering for love that Theseus orders painted in the Temple of Venus prove his point, tying the suffering of Palamon, Arcite, and all lovers to a long and storied history of love.

 

Friendship:

Arcite and Palamon have sworn an oath of brotherhood to one another, promising to defend one another's interests in everything. Yet why might they break their promise? Because they love the same girl, that's why. Both Palamon and Arcite seem to think that romantic love is more important than bonds of friendship, and "The Knight's Tale" doesn't do much to question that point of view. In contrast to Palamon and Arcite's fair-weather friendship, however, a brief passage just after their falling-out details the devotion of Perotheus to Theseus. Apparently, these guys are such good friends that they're willing to go to Hell and back for one another. So, despite the main, unsuccessful friendship in the tale, we do get an inkling that other, deeper possibilities exist for the bond between two friends.

Death:

In "The Knight's Tale," death is closely connected to love on multiple levels. Like love, says Theseus, death is the great equalizer. It's an experience that every human – whether rich or poor, fat or thin, smart or silly – will someday endure. Like love, death makes the characters feel powerless over their fates. Like other stories that fall into the genre of courtly love, "The Knight's Tale" is in the habit of talking about love in terms of death.  Yes, Palamon and Arcite seem like drama queens when they complain that their love of Emily "slays" them, that they will "die" if separated from her.  But the placement of this metaphor next to very literal deaths brings out the similarities between these two kinds of death in an original way.

Suffering:

In "The Knight's Tale," suffering takes multiple forms, both physical and mental. Palamon and Arcite suffer a lot from their love for Emily. Their love afflicts them like an illness, or an arrow that pierces them through the eyes and stabs its way into their hearts. At various points, both men declare that they are suffering so much "wo" for love that they think they're going to die. It's not just our two heroes that suffer, though. Other, lesser characters suffer too. There's the lamenting women whose husbands' bodies Creon refuses to bury, not to mention all of the people of Athens, who scratch their faces and tear out their hair when they hear of Arcite's death. In most cases, characters in "The Knight's Tale" express their mental anguish physically, by comparing it to illness or physical wounds, or by actually wounding their bodies. In this way, "The Knight's Tale" points out that being messed up in the head or the heart can translate into actual physical pain. In the Temple of Mars, we also see how physical suffering can also be caused by war, so that love, loss, and violence become a triangle of suffering in the Tale.

Competition:

Palamon and Arcite are rivals for the love of the same woman.  The knights decide to fight a duel to determine who gets her. Yet when Duke Theseus stumbles upon the dueling knights, he declares their fight is unlawful.  The Duke proposes instead that there be a public joust, with a very clear set of rules, and the winner will marry Emily. Whereas the knight's duel upset the order of Theseus's kingdom, the joust becomes a part of it, showing the way in which violent competition can both disrupt and reinforce the rules of a society. Emily is the "prize" in this game whether she likes it or not, just as her sister, Hippolyta, was Theseus's prize after defeating the Amazons. In "The Knight's Tale," then, a man's job is to compete, while a women's role is to reward the winner.

Fate and Free Will:

All of the characters in "The Knight's Tale" believe that larger forces are at work behind everything that happens to them, deciding their destinies in love and life, and determining the time and circumstances of their deaths. Variously called "Fortune," or any one of the gods, this mysterious force writes people's fates in the stars. As Theseus reminds everyone in his  speech, it is pointless to rage against fate. Still, he's confident that the Fate has a plan, and that what may seem senseless is actually part of something larger than ourselves. All this talk about destiny and fate raises the question of how much responsibility an individual has for the course of his life. But the thing is, "The Knight's Tale" isn't really concerned with that question. Instead, it points to the fruitlessness of trying to shape one's own destiny. The proper way to live your life is simply to accept your fate with patience and to try to make the best of it.

Strength and Skill

Palamon and Arcite have to decide who gets Emily in armed combat, which means that the better fighter gets the girl. Or does it? See, Palamon and Arcite are both equally strong knights who are able to marshal equally strong armies when necessary. This means that in addition to strength and skill, luck (a.k.a. having the gods on your side) is necessary in order to win. The knight's job is to bring his talents to the table and hope that the gods will do the rest. This isn't to say that strength and skill are totally without use in "The Knight's Tale." Theseus demonstrates how might can be used to make right when he goes to battle with Creon to avenge the mourning women. And as the tale pauses to describe the battle-array and sheer spectacle of Team Palamon versus Team Arcite, we can't help but be kind of impressed by it all.

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